Is any of that Clementine programming left? I didn’t think that you should just stand there and be a zombie. I wasn’t sure if it would come across because I hadn’t done that before where you have to act without words, but still say something. It was just kind of… I was a little worried. Is it hard to get out of that zone when you get into it? Of being nonverbal? The organization is calling for all animals to be computer-generated. He would say, ‘If I can portray the role without the words, then I’ve done my job.’ So I kind of took that idea on. If I can say what I need to say without the words, I’d rather take the action.’ He found words to be the falsest thing because you’re speaking what someone else has written. He would say, ‘I want to eliminate words because words are actions. There doesn’t need to be any dialogue because the story is all told in those shots.Īnd I remember an interview I read about with Marlon Brando. That’s interesting because you’ll see a camera go from one close-up to another, and you’re just seeing the eyes and facial expressions. I thought, you know, there’s this kind of compassion, maybe recognition, but the mission is I knock you over the head with this rifle. And I thought, you have these epic moments, like when I stand over Bernard. If you watch Once Upon a Time in the West, they don’t talk that much. I thought this season what I got to do with Clementine was to do what they did in the old Westerns. So she’s protecting Dolores and Teddy …Īnd herself. She protects and searches for freedom ultimately. So she, in a way, functions in this place of protecting her group. It’s just within the tragedy that happened to her, she found strength, and so this is the rebellion in her. Like she represents a specific element of hosts that isn’t seen, and so it’s almost like the demise. Is that how you see her, the angel of death? Or is she Dolores’ thug? Or does she represent of a lot of the hosts that we don’t see? I’m confused, not sure what’s going on in this crazy rebellion. I think there is a dreamlike quality to her, and I think that theme even works in the current timeline, which she’s wearing the white tattered kind of angel of death look. ‘Cause I think it all kind of fits together. And I love that you kind of get to see her in all these different timelines, and that was really fun for me to kind of explore. Sarafyan: That was really fun because I play the piano really in life, and I love that they incorporated that Clementine plays the piano. This season, in an earlier timeline, you’re playing the piano and wearing some contemporary clothes. She stares down her victims, emanating strength, power, control and thought - without uttering a single world. Or, rather, Clementine does as a newly-sentient host.

Not-Charlotte asks, “Who am I?” and Dolores says, “You know who you are.” It’s confirmed that this is not Charlotte-the murderous Delos executive is definitely dead-but Dolores put one of her friends’ fancy lil’ marble thingies into this Charlotte body so they could infiltrate Delos as part of Dolores’ grand plan.The scope of the world is expanded, and mysteries are unraveled in spectacular fashion, in 'Virtù e Fortuna.'Īnd so, she did.

Charlotte didn’t meet any resistance because she’s an incredibly high-up executive at Delos.Īt the beginning of “The Absence of Field,” we flash back to when this new Charlotte body was brought online by Dolores out in the real world. This is how Dolores escaped the park-she had her fancy lil’ marble thingy loaded into this Charlotte body and walked right out. If you’ll recall, Dolores killed Charlotte at the end of Westworld Season 2 inside the park, but not before Dolores created a new body that looked exactly like Charlotte. One of the big questions going into Westworld Season 3 was how Charlotte Hale ( Tessa Thompson) would be returning to the show, and the third episode of the season-titled “The Absence of Field”- offered us our closest look yet at the host inhabiting this new Charlotte body.

Clementine westworld